Wednesday, August 7, 2013

There, In the Depths

Shark Short #2





There, In the Depths





Sari placed her mouthpiece in her mouth and looked over at Homer, who was so terrified of the dive his face had turned white.  She gave him a reassuring nod and placed her mask over her eyes after she checked her gauge one last time.  She then gave a thumb's up as she climbed to the edge of the boat.  Tiny, the boat's captain and Sari's best friend, called out, "Good luck - don't spook any sharks, now."

The last comment caused Homer to look back, wide-eyed.  "Thhh uhh shuhhhk daww theya?" he said, pointing toward the water.  Tiny looked up - his big, hairy belly bouncing to the rhythm of his laughter.

"Yeah, so you better be careful!  Good luck."

Sari, who was looking back at the pair, squinted her eyes - the only indication that she was laughing.  Then, without warning, jumped in.  Homer remained, looking into the water with eyes wide, praying and cursing at himself for agreeing to do this.  And for what?  To impress a girl?  He put his mask over his eyes and climbed to the edge.   In his terrified state, Homer forgot to check his gauge before closing his eyes, taking a deep breath, and diving in.

Tiny laughed to himself and then walked to the stern to look over and watch the new couple's descent into the deep.  As he leaned over the edge, he saw what could only be a massive great white pass far below, out of the view of his two friends.  It was the largest fish he had ever seen.  Instantly , Tiny screamed to warn the two, but it was useless.  They were encased in water, like a cherry inside a mold of Jell-O.   He ran to the chest to see if he could find anything that could serve as a warning, but only found a flare gun.  That wouldn't work - and he might need it if something were to happen.  Damn, he thought.  I hope the beast keeps swimming away from them.

*                              *                              *

Homer's eyes took a few seconds to adjust to the low light, and he fumbled to light his lamp.  He could see Sari in the distance, deeper and farther out than he was, oblivious to his location.  He swam past several fish, thinking the entire time how good the chill that burst inside him every so often felt.  It was the chill of anxiety, of fear, of excitement.  The ocean looked so much more beautiful in person than it did on TV.  It was also far more terrifying.  For some reason, he always thought that scuba diving would feel like being in a room.  Maybe it was the way things were filmed  for TV and movies.  The ocean felt vast, scary, dark; but at every turn there was something magnificent to which no TV could ever do justice.

After some time, he could see that he was drawing closer to Sari.  He didn't want to look up, fearing that seeing just how deep he was would send him into a panic.  As he closed in, he could see what looked like a coral reef or some sort of rock formation in the distance.  He knew that's where Sari was headed.  He also knew that this type of thing was where the scary stuff hid: octopuses, eels, and sharks.  Damn the Discovery Channel.  Shark week had just passed a week before.  He was an avid fan, but he never wanted to encounter one in person.  Now all he could think of was white tips, makos, tiger sharks, and - of course - great whites.

He tried to focus on something other than the thoughts of sharks, but it wasn't easy.  The silence was nerve-racking, the only thing he could hear was the "Darth-Vader"-like breathing and the occasional release of bubbles from his tank.   Inhale, exhale.  Inhale, exhale

Luke, I am your father.  Ha ha.

The he could see Sari stop and turn around to wave him in her direction.  From the corner of his eye he thought he saw a huge shadow pass behind her, which sent a chill down his spine and made him colder than he already was.  But he was sweating.  He felt feverish.  Be strong, he thought to himself.  He continued forward. 

As he swam, he felt something tug at his leg.  Immediately he stopped and yanked his leg close to his body and almost dropped his lamp as he felt his leg with both hands to make sure it was still there.   He breathed a sigh of relief and focused again.  Inhale, exhale.  Inhale, exhale

Sari pointed two fingers at her eyes and then one to the rock formation.   Homer nodded in understanding.   He then pointed to himself and then to her, asking if he should follow her.  She nodded twice and turned to head toward the rocks.   Their lamp lights scared off a few smaller fish, who scurried to hide behind rocks, but didn't seem to affect some of the larger fish.  Sea anemones covered the rocks, their tentacles flowing in the water like windsocks.   Several animals peeked over the rocks in curiosity, watching the two new creatures unfamiliar to them. 

The rock formation was not a reef, but rather like a city of rock.  There were arches the two swam under; openings that led to terrifying darkness; and cliffs.  Homer was amazed at how much the topography of the ocean floor resembled that of dry land.  The pair followed down the cliff, which went about 40 feet down.  The explorers noticed that the city of rock continued at the bottom of the cliff.  They followed.   Inhale, exhale.

At one point, Sari turned and tapped Homer to turn around, too.   What he saw was unnerving and wonderful at the same time. 

On the wall of the cliff was the entrance to an underwater cave.  The entryway was so massive he felt he was standing at the gates of Hell.  Inhale, exhale.  Inhale, exhale.  Inhale, exhale.  Sari pointed at Homer and herself, then pointed to the entryway.  Homer shook his head and tried to yell in opposition, releasing a massive amount of bubbles up toward the now invisible surface.  Just as he was going to try and scream another protest, he noticed a shadow cast over them.  Both divers looked up and released clouds of bubbles as they tried to scream.  Directly above them was the horrifying shape of a massive great white shark.  The two immediately scurried toward the cave without having to signal each other.  It was the obvious place to go.  Inhale, exhale.  Inhale, exhale.  Inhale, exhale.

Inside the cave, the Homer turned off his lamp.  Sari tapped him on the hand and fumbled for the switch to his light.  Stupid, vision is our advantage.  Don't you know sharks can smell you, ever with the lights off? she scolded him with her eyes.  He didn't understand.  Homer's hands were shaking, he was colder than ever - even colder than the time he was stuck outside his car for four hours in the middle of a blizzard in Denver after the mall had closed; but he was still sweating - profusely now.  Inhale, exhale.  Inhale, exhale.  Inhale, exhale.  Inhale -

Homer froze in place as he saw the massive shark enter the cave where they were hiding.   It moved slowly, as if stalking its prey.  It looked side to side to the rhythm of the fin that propelled it forward.    The two lovers pressed themselves against the wall as close as they could.  They held each other's hands.  Hold your breath, Homer.  Unable to hold it much more, Homer released a bit of air, sending bubbles up with a 'glup'.  Hold steady, Homer.  'Glup', another small set of bubbles floated up carelessly.  Come on, leave, you fucking thing!  'Glup', went another group of bubbles.  Hold it, hold, it Homer, your life depends on this, man. 'Glup'.  'Glup'.  'Glup'. 

Suddenly, he couldn't hold it anymore, and he released a cloud bubbles so large it could have filled the sky.  In desperation, Homer kicked and flailed his arms punching Sari in the face stirring the bubbles into a chaotic storm that blurred their vision and sent homer into shock.  Then, he lost consciousness.  Sari shook the unconscious man but remembered the shark.  She looked over and flashed her light in its direction - it was heading right for her.  Closer, closer, determined to devour both of them.  Sari closed her eyes and prayed, then opened them.  To her astonishment, there was no sign of the shark.  No trace of it ever being there, just  the remnants of a school of fish, the rest possibly spooked by Homer's panic attack.  Homer. 

Sari looked over at her lover and grabbed him under his arms, then loaded him on her shoulders.  She headed back up the way they'd come. 

*                              *                              *

"Hey, welcome back!"

Tiny's words barely made sense to Homer, but slowly his consciousness gripped him tighter and tighter until he recalled what had happened.  "Sari!" he called out.

"Shh, shh, shh.  Calm down," said Tiny, helping Homer back to a lying position.  "She's ok.  You guys had a scare is all."

"Sh-sh-shark," said Homer.

"The medical crew is coming.  Don't mention anything about no ghost shark to them.  They'll have you committed."  Tiny looked over at Sari, who could not look either of the men in the eye.  Her wetsuit was pulled down to her waist, every hair on her body standing straight.  Her hands were shaking.

"It was a ghost, Tiny.  For fuck's sake," she said.

Tiny stood up and looked at her.  "I saw the god-damned thing right after you guys jumped in the water.  It was real, goddamnit."

"Tiny, I know what I saw.  It was there one minute, and then gone the next.  Unless there's a fucking fish that turns into the fucking Hulk to scare divers.  You're such a fucking asshole.  Fuck!"

"Ok, calm down.  We can't tell this to anyone else.  We all saw the thing.  You say it disappeared before your eyes.  Fine.  I believe you.  But we can't tell anyone," Tiny looked up as the helicopter passed them.

"They'll be over us any minute to pick him up, but swear to me, Sari - don't say anything.  We'll be the fucking laughing stocks of the entire world."

"I need to find it again."  But in a shark cage.  Did you write down our coordinates?"

"The coastguard report will have them.  Promise me, Sari."

"Fine, fine.  I promise."


The pulsating rhythm of the propellers became louder as the rescue chopper descended toward the "Gone Missy", Tiny's pride and joy.  A rescuer climbed down the ladder to retrieve the newly unconscious Homer.  On his climb down, he saw what could only be a great white below the surface, circling the boat.  It was the largest fish he'd ever seen. 

Monday, August 5, 2013

Algal Anomaly or, The Great White Snark

Ok, so in honor of Shark Week on Discovery Channel, I have challenged myself to write a shark story every day for seven days.  Here is the first.  Enjoy!




Algal Anomaly or, The Great White Snark





"There he is mommy," called out Kaylee.  The little girl pulled on her mother's arm with all her strength toward the hallway.  Nina, Kaylee's mother, was exhausted after a full day at the seaquarium and wanted to get the main attraction over with already. 

"Come on, mommy," Kaylee stopped pulling to give her mom the annoyed and disappointed look that children give when their parent does not show as much enthusiasm as they do about something.  Nina tilted her head back and took a breath.  Why did they have to be the winners of the Discovery Channel contest?  She couldn't disappoint her daughter on her fifth birthday by not going to the exclusive preview of the seaquarium's newest and greatest attraction.   

The two continued down the underground corridor, following the signs to the large safety-glass display for "Algal", the largest great white shark ever caught.  He weighed 5,000 pounds and measured 26-feet in length.   He had been caught by mistake by a whaling vessel that was used to tag blue whales for biologic studies.  The motherly instinct immediately kicked in for Nina, as thoughts of the glass breaking and something happening to Kaylee raced through her mind.  Kaylee, however, wanted to see and talk to Algal - to make a new friend.  The mind of a five-year old is marvelous. 

When the pair arrived at the large viewing theater, they were shocked - but not because of the massive size of the animal, but because noticed something strange about the large creature.  He was lethargic, and remained rather close to the bottom of the pool.  He seemed sick. 
"I'm so sorry for this," said a man as he entered the viewing room.   He was in his late fifties, looked a little like Jimmy Buffet. 

"What's wrong with Algal?  I mean, I knew sharks were lazy but this is ridiculous," asked Nina to the newly arrived man.

"We don't know.  He's only been in captivity for two weeks, but he hasn't eaten a thing.  We've thrown all sorts of things in there: sea lions, seals, dolphins, big fish, even whale blubber, and nothin'.  Oh, I'm Cray," he said, extending his hand.

Nina shook his hand and asked, "Do you think it may be that he's depressed?"  

"Nah, I think-"

"Maybe he's a vegetarian!" screamed Kaylee.  Nina and Cray burst into laughter.  Kaylee looked confused.  She wondered why they found it so funny.

"Sweetie," said Cray, "sharks have to eat other animals.  It's the way of the world!  Youll understand some day."

Kaylee furled her brow.
"
Could he have a disease of some sort?" asked Nina.

"He has a disease.  His breath smells," said Kaylee, pointing at Cray.  The man was taken aback by the comment and placed his hand in front of his mouth to check his breath.

"Kaylee Marie!  You apologize to the man right now."

Kaylee pulled her hand away from her mother, forced a frown and mumbled something inaudible.

"Kaylee.  Apologize to the man right this minute or we're going home," repeated Nina.  Still no response. "Ok.  One, two," she started the count that so many children fear, even though most have never let the countdown get to one.

"I'm sorry Mr. Mean," said Kaylee, interrupting the countdown.  Nina rolled her eyes, but was not in the mood to continue the fight.  She turned back to Cray.

"I'm sorry.  So, does he have a disease?" 

"No.  We checked for everything we know, and he has a clean bill of health."

"Algie's a vegetarian, Algie's a vegetarian," sang Kaylee in the way children taunt each other.

"Kaylee!  Algal is NOT a vegetarian!" screamed Nina. "Now stop with the stupid nonsense!"

Everyone paused in awkward silence.  Nina then squatted down to Kaylee's eye level.

"I... I'm so sorry.  Mommy didn't mean to scream like that." 

"Look, Kaylee.  Maybe it's not so far-fetched," said Cray, looking at Nina.  Adults can communicate very well without words when they don't want a child to know what they're saying.  Nina understood the look - it was to calm the little girl down by trying out her theory so she could see that the shark would not eat plants, and it would serve as a learning experience for Kaylee. 

Cray disappeared the way he had come in, and Nina stayed hugging Kaylee for a moment.  "Baby.  The nice man is going to get some plants to feed Algal.  Ok?  Then we can see if you're right or not.  And if you're not right, that's ok.  We learned something, right?"  Kaylee nodded.

The two sat down and watched in wonder as seaweed and sponges slowly sank to the bottom, where Algal moped around like an inmate on death row.   Suddenly, Kaylee stood up.  "Look Mommy!"  She pointed, but she didn't need to. 

Nina's jaw almost hit the floor at what she saw before her.  The shark awoke and attacked the sea plants like it was a seal in the Great Barrier Reef.  It thrashed around, left to right, right to left, sending ripped pieces of seaweed everywhere, muddying the water as the plants were shredded down to smithereens.  It was a frenzy the like of which had never been seen before.  More plants were dropped in, apparently by the bucketful.

"I'll be," whispered Nina to herself.  Kaylee was shrieking in excitement, running to the glass and pressing up against it between twirls of joy.  Nina had quickly forgotten her fear of the glass breaking and her entire belief system had been thrown into a fire.

Cray rushed into the room and stopped at the entryway with eyes wide.  Nina met his stare with the same look.  Kaylee continued to dance around, shrieking loudly, stomping her feet and clapping.



Months later, Algal, the Great Monster of the Sea was the biggest spectacle in the history of the city.  The marine biologists studied the beast daily, in between shows, of course.  The shark displayed the same behaviors as other great whites, only he did not eat meat.  It was one of the most significant biological discoveries in history.  The biologists watched in awe as Algal even breached the water with a surprise attack on layers of algae on the surface of the water.  A stadium was built so people could watch Algal perform breaches the way whaled and dolphins did.


Kaylee had made a friend, as she and Nina were granted lifetime memberships to the seaquarium to visit the shark Kaylee had saved.  And in time, Kaylee would be immortalized in two ways: the stadium was named after her, and so was the newly discovered species of vegetarian shark - the Charcarodon Kayleerias!

Sunday, August 4, 2013

Blogging

Blogging

For those of you not familiar with "blogging", here are a few bits of information on the topic:

+ Definition: Blogs are web pages produced and edited by individuals, sometimes sanctioned by a larger body such as a publication,
in which the "blogger" writes (editorial-style) on a specific topic or a general topic.  For example, one "blogger" may have a blog
on writing tips in general, such as my blog (http://giovannicrisan.blogspot.com), or they may be specific like Chuck Sambuchino's
on Writer's Digest (http://www.writersdigest.com/editor-blogs/guide-to-literary-agents), or be open-ended, such as Jade Bos's (http://www.hookersorcake.com/).
Another definition is a blog is a type of public-access online journal.

+ The best comparison I can draw with a blog is that of an advice column in a publication - only difference is blogs generally are not question-response,
they are editorials on a subject that allows readers to later interactively comment with the blogger or other readers.

+ Some people have "picture blogs" such as those on Pinterest.com, and others have video blogs such as those on Youtube.com.  The more successful, however, are 
still the text-based blogs (examples below).  Many readers "follow" a blog, checking daily or weekly for any updates from the blogger.  


I recommend watching the film "Julie and Julia" (http://www.imdb.com/title/tt1135503/) starring Merryl Streep to get a better idea of what writing a successful blog entails.  Julie's new
blog can be found here: http://juliepowell.blogspot.com/


+ Can you make money by blogging?  Yes.  Here's how:
- If your blog has a significant number of followers look into partner programs, in which you (generally) place a small advertisement on your page and get paid every time
   a person clicks on the advertisement.  The payments range from $1 to $50.  It's easy to see how, with hundreds of followers, a blogger can make a significant amount of
   money.  check out paperbackswap.com for an idea of how you can tailor associate programs to your reader base to maximize clicks.  PaperBackSwap.com offers a platform
   for people to trade books for free.  If a member cannot find a book they want available from other members, they can click on the link to Amazon.com to search for inexpensive
   used copies.  
- The best affiliate programs are from Amazon (https://affiliate-program.amazon.com/) and Google (http://www.google.com/adwords/partnerprograms/).  Check for online 
   retailers that may offer affiliate or partner programs to add to your blog.  Google's and Amazon's allow you to tailor the ad to the user.  For example, Google uses the
   reader's online history to offer ads relevant to that person.  Amazon allows the blogger to select the type of ad (Mystery Books, New release DVD's, baby clothes, etc).
- With a steady flow of readers on your blog other avenues for making money will open up, but it will take time and effort to get your blog up and running.  Start with social media
   because they tend to be free ways to reach a lot of people.  Alternatively (or in addition) you can add a signature to your email account that includes a link to your blog. 

+ One of the best platforms to create your blog for free is Google's blogspot.com (blogger.com).  Other reputable blog hosting sites include Wordpress.com and Tumblr.com

+ Getting readers for your blog requires some legwork.  You will need to do a media and marketing campaign like you would anything else you're selling.  The good thing is, though,
    that you probably won't be selling anything, just trying to get people to visit your page.  

+ Are my blog posts protected by copyright law?  Yes.  Any published, original work is protected by U.S. and international copyright law.  However, as in the case of pictures
posted on the internet, it becomes very difficult and time-consuming to persecute violators - especially in a country other than your own.  I would recommend setting alerts with 
Google (google.com/alerts) to monitor any blatant violators of your content's copyrights.

Here are a few of my favorite blogs:








+ I personally check the blogs I follow once a month, allotting an hour to catch up on the month's updates that interest me.

+ I blog as a way to keep record of my notes on writing and hopefully help others in the process, not as a way to make money, so I update 
my blog only a couple of times per month.  I do it for myself, but you may have other goals - so make sure you know what those goals are. 

+ As with all other commercial writing, you must define your target audience to be successful with your blog.  Review some of the examples I 
provided above to get an idea.  Even seemingly non-directional blogs like Jade Bos's have a target audience because the writers are able to define
an audience.

Saturday, August 3, 2013

General Thoughts on Queries

I am a huge fan of Writer's Digest Magazine.  For that reason, I follow a lot of what they have to say on several topics (although not all!) - 
the primary one being Query Letters.  A staff blogger at WD, Chuck Sambuchino, has a blog that posts numerous successful query 
letters and the agent responses that you may find useful.  He does not always, however, do an analysis of the query letter, or what made it 

Thus, the following website is a great resource with paragraph-by-paragraph examples of some bestsellers: http://www.agentquery.com/writer_hq.aspx


Another great point to keep in mind with query letters is to RESEARCH THE AGENT OR PUBLISHER YOU ARE QUERYING.  If you don't,
you risk including or excluding something the person you are querying demands.  Also, if the agent or publisher isn't opposed to it, send a printed
letter and attachments rather than a digital one.  It is much easier to file an email than to hide a physical stack of papers.  And although it is easy to
simply dump your letter into the trash receptacle, remember that the Agent's job is to find authors that will make her or him money.  You may be that
author.

I also highly recommend the following in-print book:
I am also attaching a copy of one of my own query letters, my bio (always keep your bio up-to-date), and a letter I sent to the Broward 
Friends of the Library.  Hope this all helps.  
 




Query Letter

Query Letter

Dear Ms. Sample:

I am writing to seek representation for my first major novel,
 THE WISTFUL HEADS, a mystery of 75,000 words.

The book opens with the kidnapping of a 7-year old child by a mysterious figure, and a new detective - a little person who's lost two partners, but has survived because of his stature named TIM MARROW - has been assigned the case.  Marrow soon discovers that there is a link between this boy's disappearance and several other children around the city, and has a serial killer in his hands.  The children's bodies are found beaten and bloodied, but their faces and heads intact. 
 

Marrow enlists the help of his friend LEE JACKSON, who works as a party clown named CRIPPY, to help as his eyes and ears on the streets in the investigation.  A few dead ends and red-herrings later, as the two friends scurry to prevent another murder and find the ruthless killer,
 the duo devise a plan to use Marrow's height to penetrate the killer's hideout; a plan that may prove to be their last hope - or their last adventure.


I am a 34-year old student, and this is my first major novel.  I have worked as a freelance journalist, and my articles have appeared in Unique Me Magazine in the U.S. and a few international trade publications.


Following are the first ten (10) pages as requested on the Writing Now website.  I truly hope you like what you read and I look forward to hearing from you.


Sincerely,


Giovanni V. Crisan




Bio

Giovanni V. Crisan is the author of Separation Anxiety, 8:51 On the Blinking Clock and Other Stories, The Wistful Heads: A Tim Marrow Mystery, Killer On the Noose: A Tim Marrow Mystery, and co-author of The Re-Evolution Project with his twin brother Vasilie.  He has also written numerous articles in publications throughout the world, both in the manufacturing and medical fields, most recently in "Unique Me Magazine" in the United States.  He is currently working on his next novels, "Separation From Reality", "The Elephant's Eye: A Tim Marrow Novel", "A Boy Named 'I'", and "The Withering Flowers of Champiñon Manor and Other Stories".

He lives in Fort Lauderdale, Florida with his wife Colleen and his two dogs, Tobi and Malakai.


Letter

April 26, 2013

Hanna Wilner, Administrative Director
Friends of the Broward County Library
100 S. Andrews Ave
Ft. Lauderdale, FL 33301

Dear Mrs. Wilner:

My name is Giovanni V. Crisan and  I am an author who just self-published a novel titled, "The Wistful Heads - A Tim Marrow Mystery", which features a dwarf detective as the main character.  It is available on Amazon.com, Kindle, and Barnes and Noble.com, and I would love to have it featured during one of your local community events.  I am very involved in the community (a list of references is available upon request), and would love to join Friends of the Broward County Library in promoting reading to members of the community.  I would also be happy to do an open discussion or reading with other local authors.  

The web addresses below will take you to my author page and to the book synopsis:


http://www.amazon.com/author/GiovanniCrisan


I thank you for the work you do in the community and appreciate your time in reading this letter.

All the Best,


Giovanni V. Crisan, Author
Joe_Crisan@yahoo.com
3346 N.W. 68th Ct
Ft. Lauderdale, FL 33309




cc: George J. Bolton
enclosure: TWH:ATMM.

Thursday, August 1, 2013

Making Your Ideas Make Sense

Making Your Ideas Make Sense

+ Learn the terminology for the industry in which you are looking to work

+ Elevator Pitch: An "elevator pitch" is a quick pitch (30-45 seconds) to introduce yourself and what you are trying to sell.  This is useful in sales in any industry, but especially true in writing.
- Learn to start a conversation with anyone, anywhere - focus on something in which the person may be interested, such as an item on their person (jewelry, clothing, bag, etc)

+Target Audience: Learn who your target audience is in your writing - without a defined target audience, you risk creating a work with lines too blurred to appeal to any specific readers
- Target audience may find you based on your writing
- Target audience may be defined by reading other works in the genre you'd like to focus
- Learn about your genre - even the font may affect your sales, even if you don't think it will!

+ Story structure
- In mystery, suspense, action, and thrillers, usually starting the story at the climax and flashing back to the beginning (then working your way back to the climax) is the best bet.  In
romance novels, stories tend to be more linear and formulaic in structure, so be mindful of your genre's tried-and-true structures.
- Try to keep exposition (background information) to the first four chapters.
 - Try to break your story into 3 acts - this will help immensely if you need to compose a screenplay or play later on.

+ Generally modern audiences are looking for shorter novels (under 400 pages, 1400 words), with chapters about 10 pages.  Make sure you test your manuscript with editing groups,
writing classes (check local universities, but stick to advanced-level writing courses), etc. to ensure you understand the wants and needs of your audience.  Don't assume what your audience wants!
+ Opening scenes should grasp the reader's interest; try something exciting or intriguing.

+ Book synopsis: Write this in 3rd person, keep it simple.  Each paragraph should be a summary of one or two chapters through top the end of the novel.  
This should be limited to 2-3 pages, and should include "spoilers" and other plot points that the publisher would be interested in knowing without having to read 
the book.  These are included with every query letter to a traditional publisher.  You can't get a book deal without this. 
+ Book summary: is short - this is what you read when you turn a book over and read the back of the book.  Again in 3rd person, this should present the main plot points without
giving anything away - it should in fact pose more questions than provide answers, so as to pique the reader's interest.

+ Completing your manuscript: remember that your first draft is a ROUGH DRAFT; treat it as such and nothing more - so get your ideas on paper!  If you were to die tomorrow, 
would you want to leave your manuscript incomplete?  The important point here is to FINISH your manuscript - you (or someone else) can always go back and edit later!

+ Editing:  Finish your manuscript and let it sit for a bit - go back to it after some time (I wait 2-4 weeks) and edit then.  The most important thing to remember now is to just 
finish the manuscript.  For editing resources, contact me (Joe_Crisan@yahoo.com) or seek out universities to have writing or English students edit for you for free.
- Know what a good editor is - make sure you have a basic understanding of the language so you know if an editor is worth their salt or not - you will not be editing, but don't
  allow yourself to be suckered into paying someone who doesn't know what they're doing!
- There are two types of editors: story editors who edit the flow of your story, and copy editors, who will edit the more "scholarly" aspects of your writing like grammar and spelling.  Be
  aware of who you are hiring and what the expectations are.


+ Sensory detail:  Use ALL 5 senses when describing a scene.  Remember that the most memorable of the senses is TASTE - yes, believe it or not, taste is the winner.  Use it to make your writing successful.

+ Learn the difference between passive and active voice: " The door was closed" is not good because it does not say who closed it, leaving the reader wanting more information.  "The door slammed shut,"
on the other hand, tells you the closed by itself, probably as a result of a gust of wind.  Clarifying sentences is an art that can differentiate you from your competition.

+ Avoid verbose descriptors such as, "the dead corpses of bugs lay all around" is too verbose - wouldn't you appreciate, "dead bugs covered the floor" much more as a reader?

+ Find writing prompts with resources like "642 Things to Write About" - find it on Amazon.com here: http://www.amazon.com/Things-Journal-Francisco-Writers-Grotto/dp/1452105448/ref=sr_1_1?ie=UTF8&qid=1375414063&sr=8-1&keywords=642+things+to+write+about


Friday, July 12, 2013

From the Beginning

The Writing Process

Planning

+ Summary: This is the "hook" that captures readers when they pick up a book at a bookstore or library.  Ideally, a summary states the basic premise of 
    your story, is written in the 3rd person, and has more questions than answers to hook your reader's interest.
  

+ Synopsis: Put your idea down on paper, from beginning to end.   Make sure key points of the story are included in your synopsis



+ Outline vs. Organic writing:  Outlines can help keep you focused when writing.   It is also important to ensure your story is organized into 3 acts, as this 
    will help streamline the process if your story is picked up by a studio to become a movie or television show

+ Character profiles (see attachment): Making these for even minor characters in your book or story helps with consistency in your story.

+ Scene building:  Like the character profile, it is important to create scene profiles.  Include sensory detail: sights, sounds, smells, 
   temperature, etc.  "An alley in Brooklyn" is not very good; "A dark alley on a cold fall night in Brooklyn, with the heat and smell of a burning barrel that the homeless 
   use to keep warm, Jacob winced when he heard the sound of sirens in the distance" is much better.



Tools

+ Always carry a pen or two
+ Carry a notebook or two
+ Cameras are great to capture ideas for characters, scenes / settings, etc.
+ Digital voice recorders are a great tool to get ideas down quickly
+ Business cards can serve as scratch paper to jot ideas down
+ Doctor's pen lights (less than $5 for 6 on Amazon.com) or flashlights can help at night when going for a walk or to keep next to your bed

Digital Tools

+ Dragon dictation can help translate your recordings or dictation into word processing documents
+ Google chrome allows you to sync all of your devices so that all web pages you have open on your PC will also appear on your smartphone or tablet, etc.

Other Tools

+ Learn to type!


Writing Roadblocks

Avoiding Writer's Block

+ Doodle, paint, draw
+ Journal daily
+ Look for websites that provide daily writing prompts
+ Edit what you've written
+ Pick an item in your house and write a story about it
+ Use pictures as prompts
+ Pick a song and write the story behind it
+ Put the T.V. on and write a character profile on a character, news anchor, or write the next episode of whatever T.V. show is on
+ Stream of consciousness
+ Talk to elderly people
+ Talk to children
+ Volunteer
+ Exercise (it helps to be alone with your thoughts)
+ Visit celebrity websites like TMZ.com

+Why start your story at the beginning?  Use tips form screenwriters and film directors and write a scene that comes later in your story

+ Turn things on their head: Sci-fi in 17th century America, cannibal / human flesh eating cat terrorizes a neighborhood, snail mail thief mystery rather than murder mystery, etc.

+ Dreams are a great source of inspiration, but you forget them 5 minutes after waking up - so keep a pen and paper by your bed

+ News stories - ask "what if?"

+ Buy a Mad Libs book

+ Buy "642 Things to Write About" - has 642 writing prompts

+ Take a classic and change the genre a la Mad Libs - e.g., "Pride and Prejudice and Zombies"

+Subscribe to a writers magazine



Seminar Obsession

+ Avoid wasting time trying to "learn your craft" - Use that time to write instead.  1-2 writing groups should be your limit


"I don't have time"

+ Do character profiles on a news anchor or T.V. show character
+ Write while waiting at the doctor's office
+ Write while riding as a passenger in a car
+ Write immediately before going to bed
+ Write while in the bathroom
+ Write while in a restaurant eating
+ Write during breaks at work


"It's just a silly thing I wrote"

+ Don't EVER say that!
+ Take yourself seriously and everyone else will, too
+ Get business cards ASAP - No excuse!  Vistaprint has business cards for $5
+ Introduce yourself as an author - if someone asks what you've written, remember that nobody really cares what your answer is - so
  you can say "Where do I start?  Oh, here's my business card."  Just be prepared with an answer that makes sense without lying

+ Get a website / blog